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An American Story: Pietro DiDonato's «Christ in Concrete» (Studies in Southern Italian and Italian American Culture), by Louis
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This text closely examines Pietro DiDonato's classic novel Christ in Concrete from an historical, sociological and literary perspective. Louise Napolitano examines Christ in Concrete (1939) as a chronicle of the experience of Italian immigrants in the United States during the twenties and early thirties. The literary analysis involves a thematic and stylistic study, focusing on the work's modern, realistic, naturalistic, romantic and classic qualities. In addition, this study places Christ in Concrete in both the American as well as the Italian American literary tradition.
- Sales Rank: #3716934 in Books
- Published on: 1995-08-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .50" l, .55 pounds
- Binding: Paperback
- 164 pages
Review
-Over fifty years after its first publication, my father's novel 'Christ in Concrete' finally has an inspired interpretation set down for review in our time and future generations.- (Richard DiDonato)
-Napolitano has produced a significant contribution to American literary studies. This pioneering study will benefit students, teachers and scholars alike. Her insight into the Italian and American contexts of DiDonato's masterpiece is certain to generate renewed interest in, and new readings of, this classic American writer. 'An American Story' is a major breakthrough for American cultural studies.- (Fred L. Gardaphe, Columbia College, Chicago)
-Louise Napolitano's thematic study on Pietro DiDonato's life and work skillfully traces the Italian pilgrim's thirst in the new world for learning in order to free himself and his own ghettoized province from bondage. The self-made man of the Renaissance, the all-knowing artist and intellectual born outside of any academic schooling, he appears to be resurrected with enduring love and personal sacrifice by the immigrant that DiDonato mirrored with his art, and critically reconstucted by Louise Napolitano in her own book.- (Giose Rimanelli)
-Ultimately Napolitano does what a good critic should do, engage the artist and other interested parties in intelligent conversation that makes reading a communal event.- (Fred L. Gardaphe, Voices in Italian Americana)
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About the Author
The Author: Louise Napolitano is an assistant professor of English at the State University of New York at Farmingdale. She has also taught at the University of Maryland and the Freie Universit�t in Berlin, Germany. She received her Ph.D. in American Literature form the State University of New York at Stony Brook.
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