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The Canon EOS 6D is Canon's smallest and lightest full-frame DSLR camera to date and boasts an extensive feature set. This full-color, portable guide goes beyond the owner's manual to deliver clear, succinct descriptions of how these features and functions work and explains how they affect the resulting photos. With the expert advice and clear instructions, the Canon EOS 6D Digital Field Guide makes this sophisticated camera accessible to even first-time DSLR users�
- Helps you to consistently achieve professional-level photography using the Canon EOS 6D
- Walks you through the essential controls, features, and functions using step-by-step instructions and providing full-color images of each menu screen
- Shows you how to get the exact shots you want, when you want them, and is packed with beautiful color photos
- Shoot in Live View, choose the best settings for movie-making, and learn how to share your images and video online via the built-in Wi-Fi
- Includes step-by-step techniques and professional tips on taking exceptional photos with your Canon EOS 6D
Canon EOS 6D Digital Field Guide is packed with so much helpful advice for getting the most out of your Canon EOS 6D, you'll find yourself referencing it again and again
- Sales Rank: #834914 in Books
- Brand: Brand: Wiley
- Published on: 2013-06-04
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .72" w x 6.05" l, 1.30 pounds
- Binding: Paperback
- 320 pages
Features
- Used Book in Good Condition
Amazon.com Review
Bonus Content from the Author - Click Images to Enlarge Canon 5D Mark II, 17-40mm f/4L USM, 1/250 second, f/4.0, ISO 100 Canon 5D, 70-200mm f/2.8 IS USM, 1/250 second, f/2.8, ISO 320 Canon 5D, 17-40mm f/4 USM, 1/40 second f/4.5, ISO 400
Canon 5D Mark II, 17-40mm f/4L USM, 1/250 second, f/4.0, ISO 100
Creating evocative and timeless images for my wedding clients is job one. This image was produced during a part of the day we wedding photographers refer to as "The Romantics". This is one of my favorite parts day, it's basically a mini fashion, portrait and editorial photo shoot all rolled into one. It's one of the few times during the wedding when I have the couple all to myself. The images produced during these mini sessions not only give the wedding couple a range of beautiful and diverse images to choose from for their wall portraits and albums, but these images also play a crucial role in attracting new clients. Prospective clients continually refer back to these images as the reason the decided to meet with and retain me. Obviously this is an important part of my process and one that I make sure, along with my couples, to allot time for during their day. A few key components for me in nailing the perfect shot are the following: 1) find a great background, something that helps tell the story of your couple and their day. 2) Look for the light! Open shade is best as it keeps clients out of harsh highlights and shadows and producing even, flattering light. This saves you a ton of post processing time and headaches. Shooting with bright areas behind subjects is also something I do often.
Canon 5D, 70-200mm f/2.8 IS USM, 1/250 second, f/2.8, ISO 320
Engagement sessions are the building blocks for great relationships with my wedding clients. They give my couples and I time to work together and get to know each other in a fun, non-stressed environment. They also give the couple an opportunity to have a professional portrait session aside from their wedding day. This is a definite value add for clients, giving them not only wedding images to choose from for their wall art but also the option for engagement albums, guest signature albums, save the date cards, etc. Each couple is unique and my goal is to tell their individual story and convey their personalities through the portraits I create for them. I do this with the location choice, lighting style, suggested wardrobe, type of poses and finishing treatment for the image. For this relaxed bay area couple the dunes of Ocean Beach was the perfect spot to create a timeless wall portrait. A split toned black and white treatment gave the image the finishing touch it needed to bring it all together. Tip: Shooting wide open produces beautiful, soft backgrounds and keeps the attention on your foreground subjects. Just be careful not to overuse this or any technique, there are times for f/2.8 just as there are for f/5.6.
Canon 5D, 17-40mm f/4 USM, 1/40 second f/4.5, ISO 400
Many of the same considerations involved in producing compelling wedding and engagement portraits exist in editorial portraiture only with a higher degree of production value and additional equipment and location logistics. Typically this type of shoot is a collaborative effort involving a team of creatives comprised of an art director, producer, talent, makeup artist, hair stylist, prop and wardrobe stylist, photographer and photo assistants. Environmental portraits like this one of actor Eric Urbiztondo introduce additional logistics like permits and planning with respect to lighting equipment, etc. Pre-visualizing what the finished image will look like is an essential part of the creative and planning process. It's only with this in mind that you know what equipment to bring.
From the Back Cover
Master your camera and capture the images of your dreams
Your Canon EOS 6D is equipped with a lightning-fast DIGIC5+ processor, the best in class low-light ISO performance, the first ever built-in dSLR Wi-Fi features, and HDR shooting options. Learn to use all its settings and controls, fine-tune exposure and focus, master movie-making, work with flash, and be amazed at what you can create. This handy guide covers all the buttons and dials, how to customize the camera, creative exposure tips, and much more.
- Tour all the controls, set up your camera, investigate playback options, and add copyright information
- Experiment with white balance, HDR shooting, picture styles, and Speedlites
- Shoot in Live View, choose the best settings for movie-making, and learn how to share your images via the built-in Wi-Fi
- Keep this guide in your camera bag for quick answers in the field
Inside – your free gray and color checker card to help you achieve accurate white balance and color
About the Author
Michael Corsentino is an award-winning contemporary wedding and portrait photographer, Adobe Photoshop and Adobe Lightroom expert, author, national speaker, and workshop leader. Michael also writes for Photoshop User Magazine, Shutter Magazine, and Resource magazine. He is dedicated to education, and shares his lighting and posing secrets, post-processing techniques, workflow strategies, and shooting philosophy in his popular seminars.
Most helpful customer reviews
56 of 58 people found the following review helpful.
Good/Bad/Ugly
By Allen E. Faber
GOOD
The last four chapters were well done. The only brain freeze I saw was on page 205 where there is an inapplicable reference to CF (CompactFlash) cards in the Tip box. The EOS 6D of course only uses SD (Secure Digital) cards
BAD
My humble opinion is that the pictures in the book are lo-key and dark, and lack any factor that would make you want to have a camera that could make the shots in the book. One of the pictures that I did find interesting was on page 73, (3.1), in the chapter Working with Exposure. Unfortunately, as described in the caption the picture was taken with a shutter speed of 1/8000, and the 6D offers a max shutter speed of 1/4000. I did a small amount of investigating, just looking at the "Look Inside" feature on Amazon of the author's previously published book on speed lights. Sure enough, the pictures 3.1, 3.5, 3.6 and 9.12 were there. The speed light book was certainly put together before the 6D was manufactured. It bothers me that the author/publisher/camera manufacturer have all missed a chance to actually show what the subject of the book can do. Would it be that hard to go and take some useable pictures with it, for a book you are getting paid to write?
At the start of the book is the Quick Tour. On page 3 the author uses the symbol for the Quick Control button instead of the Quick Control dial. On page 4 there is a discussion of the Quick Control button, but no picture of it until page 23. This is in the so-called Quick Tour section, and by not showing this important button, I don't think a person new to the camera, or especially to the EOS system, will find the tour very quick. Likewise, in the Quick Tour, in a Tip box, the author recommends shooting in RAW to get the best image quality possible. To a newcomer to the DSLR world, this will not result in anything quick, especially when they discover there is a software component to RAW shooting. I would have just left the 14 page Quick Tour out of the book.
Skipping to page 42, the author refers to the maximum burst rate with full resolution RAW files as approximately 4.54 fps. Wow, what exactitude, but alas an error; the real number is 14, as stated on his chart on page 46. The column of that chart is unfortunately marred by a heading that refers to UDMA Card. Again, this camera does not use Compact Flash cards, and UDMA is a CF card designation. Moving right along, the picture caption on page 53 (2.8) refers to a Canon 7.4-44.4mm, f2.8-4.8 USM lens. I don't know where all the extra 4's came from in Chapter 2. Other errors in picture captions occur on page 71 where there is reference to a picture taken at f/2.5 with a lens reported as Canon 28-70mm, f/2.8L USM, and on page117 (3.21) an exposure of f/2.8 with a Canon 17-40mm, f/4L USM. It would be great if our lenses could have wider apertures than expected!
On page 84 the author begins the use of the word simultaneous, however, what is really meant, and correct is continuous. Our cameras only have one sensor, and therefore we cannot take simultaneous pictures. The Owner's Manual uses continuous, and it is hard to blame the author for trying to find a synonym, but simultaneous is not one.
Another instance where copy/paste may have plagued the author is found on page 103 where he shows the symbol for the Metering mode selection button, but has WB next to it, as I believe some previous Canon EOS cameras have had. Unfortunately, the 6D does not have White Balance on a button, and it has been called out as a weakness by some, as you have to go to the menus to chose the White Balance.
Finally, this sentence (?) concludes a paragraph on page 135: "In addition, even if you shoot JPEG, which automatically converts 14-bit files to 8-bit files in the camera." I guess it is just an editing, or lack thereof, problem.
UGLY
Wait, there is more? This time the author is off the hook. This book is called a Digital Field Guide. But it is one of those books with only a glue binding. It will not lay flat. If you bend it too far the pages will start to pop out. I think they should drop the Field Guide (well, it's not Digital, either) from the title. If I cared about the book, I would be afraid to take it outdoors!
This was the third disappointing book on the Canon EOS 6D that I have reviewed. I continue to recommend downloading the PDF from the Canon web site of the complete 404 page Instruction Manual (and using Send to Kindle), or the purchase of "Canon 6D Experience" an e-book by Douglas J. Klostermann for $9.99 (Plus, he has the advantage, and stated intention, of removing any of the gremlins that make their way into print).
10 of 11 people found the following review helpful.
Instructive Manual
By Hudge
This is the operational guide to the 6D. It is not a photography book; it is a manual to use all of the features of the 6D. It is logically written and broken out, and it works very well as an instruction manual for the new Canon full-frame.
8 of 9 people found the following review helpful.
Handy Extended Reference for Canon EOS 6D
By Desert Peep
Canon EOS 6D Digital Field Guide is a convenient hands-on reference to supplement Canon's pdf user's guide. I don't know about you, I still like having a physical book in my hands when it comes to complex product instruction manuals.
As with other Digital Field Guides in the series, this book is well organized and intuitively digs deeper into a number of 6D features which require such detail. I appreciate the examples cited to bring relevancy to these features.
By virtue of the author's clarity & thoroughness, I discovered and now employ a number of features I would have otherwise ignored. I also have gained clear understanding of other features I previously had limited knowledge. The sum of learning & understanding these features have expanded my field technique and "chops".
I now use the Canon EOS 6D Digital Field Guide as my primary "go to" reference. Overall, a nice, solid & reputable reference book for your Canon EOS 6D.
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