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Voguing and the House Ballroom Scene of New York, 1989-92From Soul Jazz Books
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In 1989, Malcolm McLaren had his only number one hit with a single called “Deep in Vogue.” Early the next year, Madonna had one of the biggest hits of her career, with the single “Vogue,” and when Jennie Livingston's film Paris Is Burning arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. Paris Is Burning documented a gay ballroom scene that emerged in Harlem in the mid-1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway. Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, Voguing and the Gay Balls of New York City is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in Regnault's hundreds of amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera.
Photographer and documentarist Chantal Regnault was born in France. She left Paris after the 1968 uprisings to live in New York, where she lived for the next 15 years. At the end of the 1980s she became immersed in Harlem's voguing scene. Also around this time, Regnault developed an interest in Haitian voodoo culture and began to divide her time between Haiti and New York. Her widely published photographs have appeared in major magazines and newspapers, including Vanity Fair and The New York Times.
- Sales Rank: #225646 in Books
- Published on: 2011-12-31
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 11.75" h x 9.50" w x .75" l, 2.57 pounds
- Binding: Paperback
- 208 pages
Review
Chantal Regnault's photographs in Voguing take on one of Ms. Ciccone's phrases right back to its roots, documenting in incredible and emotive detail how fashion could transport you way beyond the hood. (Mark Holgate Vogue)
Most helpful customer reviews
30 of 31 people found the following review helpful.
To Be Real
By ganza
Although I love Chantal Regnault's photographs from 1989-92 that record and report on the New York City underground ball world, this is
a strangely random undertaking. Missing are images of the real `legends` turning it, the hallmark of the runway, and the interviews are so inaccurate that there obviously was no real editor involved in the project. Right out of the gate Hector Xtravaganza states that `Carmen is the Mother now since Angie died`. Danni was our Mother after Angie died. Following his death Raquel became the Mother, followed by Giselle. I would hate for anyone doing research on the ball scene to use this sort of information as truth. It isn`t. There are so many of us old schoolers around for fact checking. I`m sorry to see this kind of data recorded as fact.
0 of 0 people found the following review helpful.
excellent workmanship
By Modayvia
I love this book. It's definitely accurate and informative to readers. The work put into this book was outstanding. The photos are exquisite. The photographer has the perfect eye. The interviews are extremely interesting. It's a MUST BUY.
0 of 0 people found the following review helpful.
FANTASTIC!
By drefrancis
A great balanced insight and informative book into Voguing!
One of the main resources I used for my dissertation.
If you're looking for a book to learn about Voguing, start with this one!
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